take her gucci bag and the north face | Dead Wrong Lyrics by B.I.G. Notorious

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The Notorious B.I.G.'s "Dead Wrong," originally featured on his debut album *Ready to Die*, is a complex and often unsettling track. While lauded for its raw energy and lyrical prowess, the song also contains deeply problematic lyrics that warrant critical examination. Specifically, the lines "Smack the bitch in the face, take her Gucci bag / And the North Face off her back, jab her if she act funny with the money" have become a focal point of discussion regarding misogyny, violence, and the glorification of materialism within hip-hop. This article will delve into the context of these lyrics within the broader themes of "Dead Wrong," exploring the song's narrative, its place within Biggie's discography, and the lasting impact of its controversial imagery.

The song, a gritty depiction of street life and the pursuit of wealth, unfolds as a narrative driven by aggression and a relentless focus on acquiring material possessions. The opening lines immediately establish this tone: "Picture this, a dark night, cold December / I'm on the prowl, feelin' like a predator." This predatory imagery is further amplified by the lines focusing on the robbery. The Gucci bag and North Face jacket, symbols of status and aspiration, become objects of desire, attained through violence. The act of robbing the woman isn't presented as a regrettable act; rather, it's a calculated move, a means to an end. The threat of further violence – "jab her if she act funny with the money" – underscores the brutal pragmatism at the heart of the narrative.

The subsequent lines, "Oh you got me mistaken, honey / I don't wanna rape ya, I just want the paper," are often interpreted as a desperate attempt to distance the act from sexual assault, yet this attempt only serves to highlight the casual disregard for the victim's well-being. The focus remains firmly on the "paper," the money, reducing the woman to a mere instrument for acquiring wealth. The juxtaposition of this supposed clarification with the preceding violence underscores the inherent contradiction within the lyrics – a violence justified solely by material gain. This casual dismissal of the woman's agency and safety is deeply troubling and contributes significantly to the song's controversial nature.

"Dead Wrong" isn't simply a straightforward glorification of violence, however. The song operates on multiple levels, exploring the complex moral ambiguities of the street life Biggie depicts. The narrative voice is not necessarily presented as a hero or even a sympathetic figure. The song's title itself, "Dead Wrong," suggests a degree of self-awareness, a recognition that the actions described are morally reprehensible. This internal conflict, however subtle, adds layers of complexity to the character portrayed. It's a depiction of a character trapped within a system that prioritizes survival and material success above all else, even at the expense of ethical considerations.

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